What is the perfect crime? What is a crime? Simply put, an act of injustice perceivable in the degree to which it stands out from the set of ‘what should be done’ and rather what was actually done, the person having claimed responsibility being labeled a criminal. There are two aspects to every crime: the crime in itself, encompassing every event from its conception to its execution, and the aftermath that includes the consequentiality as well as the subsequentiality of the crime event. For the criminal, the title of ‘perfect crime’ can assume the form of his intentions having been conveyed to the general public as well as the victim in their fullest. It can also be the ‘perfect crime’ when the crime in itself holds not as much as importance to the criminal as do the shockwaves generated by it, and the attention the criminal can draw toward himself or herself (which is also an important reason for a crime to be committed). Since so many threads have been pulled out of this spool, the perfect crime can be perfect in ways more than one, or in one way more than the others. The reason behind this genre of crimes being so rare is the fact that if we were to analyze the crime and break it down to a series of events, you will find that most crimes are not a consequence of a series of events, rather a parallel output of atleast two such serieses. Pretty much like the butterfly effect, some happening somewhere can be identified as the prime causal event; but after that, the subsequent happenings also begin to interact with each other, making it hard for any effect to stay effective (and perfect) long. The sub-prime events may be quantified, but when they all act together within moments of each other, the effects can be attributed to any one of the sub-prime events. The chances, therefore, that a perfect event occurs is 1 in N!, where ‘N’ is the number of sub-prime events. Since the number of sub-prime events can be continuously differentiated into smaller and smaller games of two people, the value of N can run into very large numbers, reducing the probability of a perfect crime to close to zero. (Unless, of course, the number of sub-primes are zero and the prime causal event is the cause of everything consequently – as in the case of The Joker!)
So, what is the ideal crime? If you notice, the perfect crime is based on the perception of events: the important element which the police as well as the criminal will consider is the sequentiality of events whose climactic realization lay in the happening of the crime and nothing else. The perfect crime, so to say, is a symbol of the degree to which the events have been planned and executed to be. However, when we come down to the ideal crime and what such a crime symbolises, we will have to think of the impact of the event on those who choose to see it and understand something from it. The ideal crime will be committed when impacts of the events carried out are perfect, nothing else. Of course, every crime has two perspectives: the criminal’s, and the victim’s. The victim’s perception of an ideal crime will be when the crime has failed in its purpose – be it the intimidation of the target or the annihilation. But this is a very trivial and dead analysis, and ends here. However, going by the criminal’s perspective, the ideal crime will be performed when the intended effects are visible on the victim. Sexual delinquents (A) and rowdy gangs (B) may both be termed murderers if it has been proved that they have murdered someone, but A and B respond to different stimuli arising from the commitment.
The identification of a perfect crime lies in the cognition and gauging of physical events and the degree to which they have stayed according to plan. If the criminal wants event P to happen after event Q, perfection will encountered if P happens after Q. Owing to the relative abundance of sub-prime events, P and Q cannot be risked to happen simultaneously, or even Q after P. And this is just for a single series; for two or more serieses happening parallely, the sequentiality as well as the progressivity must be according to plan. Of course, all this is too hard to be controlled owing to obvious limitations. But, on the other hand, the ideal crime does not demand a perfect crime in return. The perfect crime depends overtly on the behaviour of mental and physical forces. The ideal crime just varies based on the thinking of the human mind. Ideal crimes are committed everyday: they require no more prime causal event than the crime itself, and sub-prime events are invariably born because most people will take some decision or the other based on what they have understood from the causal event they have chosen to analyse. There will always be only one perfect crime if it ever is committed, but when a crime is committed, ideal crimes will have also been because the deviation from normality which they all personify. When the urban legend raises his pick axe and walks through the open front door, the target acts out of fear. The purpose has been acheived. Most action figures in comics, not the heroes but the vile villains, are depicted as such to arouse the fear hidden in a child’s mind, to show how the actions for which the villain takes responsibility are abnormal and cause change in those things which usually don’t change – this is represented by how the villain does not resemble the general populace in appearence. However, as for the heroes who come to rescue those in trouble, that is just commercialism.
(Approx. fog index: 10.80)